By AJ Jaffari
What happens when one of musical theatre’s most iconic rock operas returns to the stage with all its power and passion intact? Jesus Christ Superstar at Broadway at Music Circus proves that even decades after its debut, Andrew Lloyd Webber and Tim Rice’s groundbreaking score still pulses with urgency and intensity. With its electrifying rock sound and emotionally charged storytelling, the show invites audiences to witness one of history’s most familiar stories through a deeply human lens.
Told through the eyes of Judas in the days leading up to the crucifixion of Jesus, the musical blends spectacle with introspection, exploring themes of faith, doubt, loyalty, and sacrifice. The Sacramento Music Circus’s production leans into the show’s raw energy and theatrical scale, delivering an experience that feels both timeless and immediate.
This was my second time seeing Jesus Christ Superstar—the first being just down the street at the SAFE Credit Union Performing Arts Center—and this production easily became my favorite of the two. I’ll admit, the show didn’t fully captivate me the first time around. Not every Webber score resonates with me in the same way, but Superstar has always had moments and songs that linger long after the curtain falls. In this particular rendition, those moments were plentiful, and the production found a way to bring the material to life in a way that truly clicked for me.
For a bit of context, I’ve been a season subscriber to this theater for nearly three years now, though my connection to it goes much further back. Growing up as an eager young theater kid, I have countless fond memories of attending shows here—it always felt like such a special treat, a true reward. These days, walking into the Music Circus almost feels like Norma Desmond returning home at last. Let the record show: I will never get sick of coming back to this place.
One thing Music Circus consistently nails is the ensemble, and this production was certainly no exception. Vocally sharp and backed by an impressive level of dance ability, the company brought incredible energy to every group number. Whenever the full ensemble filled the stage, it was impossible not to be entertained.
Among the many strong performances, Maelyn Jarmon (Season 16 winner of NBC’s The Voice) as Mary Magdalene stood out in the best possible way. Having seen countless productions here over the years, her performance felt especially memorable. Mary is one of those roles with what we like to call a “princess track”—arriving onstage to deliver some of the most beautiful songs in the show before gracefully exiting. Jarmon infused the role with genuine emotion and warmth, and I found myself completely swept up in her portrayal.
Several other leads shone just as brightly. Justin Sargent’s Jesus of Nazareth (Broadway: Spider-Man: Turn Off the Dark, Rock of Ages, Bonnie and Clyde) tackled some of the most demanding music in musical theatre with remarkable power and stamina. Meanwhile, Kyle Taylor Parker as Judas (Broadway: Kinky Boots, Charlie and the Chocolate Factory) delivered a dynamic and compelling performance that felt fresh and electrifying within the rock opera style.
With recent high-profile productions of Jesus Christ Superstar, including the revitalized Hollywood Bowl staging featuring the legendary Cynthia Erivo and Adam Lambert, it was refreshing to see a version that leaned back into the show’s original musical theatre roots. The storytelling felt clear and intentional, and I truly appreciated how this production honored the heart of the piece.
Another area where Music Circus consistently excels is in its production design. The costumes by Colleen Grady, paired with the hair, wig, and makeup work of Ashley Wise, created characters that felt distinct and thoughtfully stylized. Each look added personality and flair, and I especially loved the showgirl-inspired costumes worn by the trio during “Superstar”—a moment that was both playful and visually striking.
Charlie Morrison’s lighting design was equally stunning, washing the stage in a rich spectrum of color. One moment the space evoked the warmth of a desert landscape, and the next it shifted into a cool, turquoise-lit alleyway. The transitions were seamless and beautifully enhanced the mood of each scene.
Under Glenn Casale’s assured direction, the production moved with clarity and purpose, while Gerry McIntyre’s choreography brought vibrant energy to the stage. Every movement felt purposeful, stylized, and full of life. Dennis Castellano’s musical direction rounded out the evening perfectly; this score is already exhilarating, but the orchestra brought an extra layer of excitement and intensity. A special shoutout to Eryn in the pit absolutely shredding on the piano (😉).
The Music Circus is a venue I will always consider a second home, and it’s one I never tire of returning to. If you’ve never experienced a show here, it’s well worth the trip. A quick seating tip: because the theater is in the round, there truly isn’t a bad seat in the house. The creative team always stages their productions thoughtfully for the space. That said, sitting a bit closer does give you an even better view—but you really can’t go wrong anywhere. Runs here are short and turnaround between shows is quick, so be sure to grab your tickets before they’re gone.
Jesus Christ Superstar runs through March 22 and tickets are available here.
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